Artists
Maria Helena Viera Da Silva (1908-1992)
The relevance of her works with Jorn Utzon's is to me a similar obsession with horizontal planes. These create an indefinite in-between space which is redundant in Utzon's sketches.
Egypte
(1948)
Biblioteca
(1949)
L'issue lumineuse
(1983-86)
Gordon Matta-Clark (1943-1978)
The geometrical cuts of Matta-Clark through buildings remind of Utzon's geometrical technique that gave birth to the final shape of the Opera House's shells.
Three Films: Fire Child, Fresh Kill, Day's End
(1971-1975)
document.write('video installation'.toLowerCase());video installation single-channel video with sound dimensions variable Collection SFMOMA Accessions Committee Fund 2001.298 © Estate of Gordon Matta-Clark / Artists Rights Society (ARS), New York. http://collections.sfmoma.org/Obj106733$18878, Accessed 14.08.08
Office Baroque
(1977)
Cibachrome prints, diptych, 20 3/16 x 39 3/4 and 19 11/16 x 39 3/4 inches.Solomon R. Guggenheim Museum, Purchased with funds contributed by the International Director's Council and Executive Committee Members: Edythe Broad, Elaine Terner Cooper, Linda Fischbach, Ronnie Heyman, J. Tomilson Hill, Dakis Joannou, Cindy Johnson, Barbara Lane, Linda Macklowe, Bri. 98.5227. © 2007 Estate of Gordon Matta-Clark/Artists Rights Society (ARS), New York.http://www.guggenheimcollection.org/site/artist_work_lg_105A_1a_b.html Accessed 14.08.08
Circus or The Caribbean Orange
(1975)
Cibachrome h: 29 x w: 58.5 in / h: 73.7 x w: 148.6 cm http://www.artnet.com/artwork/425555953/533/gordon-matta-clark-circus-or-the-caribbean-orange.html Accessed 14.08.08
Drawings
On Site
Collaborative drawing in week 3 studio
Utzon's shells emphasizing on tone and repetition
Utzon's collision
(collage of 4 drawings)
re-interpretation
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