CBCC_Study Model_pix

Communication_Atlas_of_Colour_Workshop

Week_1:

Colour Window

Book Analysis

Steven Holl, Juhani Pallasmaa, Alberto Pérez-Gómez

Questions of Perception: Phenomenology of Architecture

Tokyo : a + u Pub. Co., c1994.

Colour Symbolism



Week 3

Loose Rendering_

Face Map_Steven Holl

Achromatic Tonal Keys

High Major_High minor (top/bottom)

Intermediate Major_Intermediate minor_Intermediate (top/bottom)

Low minor_Low Major (top/bottom)

3D_Colour_Wheel

Communication_Architecture_in_Motion_Workshop

The brief:

a 20 seconds stop motion movie inspired by three photographs of an unknown
location.


3 words to choose:

Ineffable (cerebral)/Filigree (Interstitial)/Patination (time, memory)


Sequence is:


> > 1.view of a fragment or fragments of the space with an interstitial component. > 2.insertion of the viewer into that interstice> 3.visual recollection of the whole space with traces of insertion> > application to space #1. The dark staircase:> fragments: wood boards hanging above> insertion: digging through the boards> Traces: cracks between the boards in the overall view of space.

Design Process




Final Submission

Design_Studio_4_Conceptual_Drawings+Mapping+Model

Conceptual Drawings

Exploring...

Reciprocity/Materiality/Threshold/Insertion/Infrastructure

Reciprocity/Infrastructure

Materiality as result of erosion
Sandstone/Urban Fabric vs. Water/Movement of People

Threshold/Reciprocity

Insertion/Reciprocity

Insertion/Infrastructure

Maps

Mapping...

Memory/Playground/Itinerary

Memory axis + Playground axis

Memory of an Itinerary


Fluidity vs. Parked Cars
+ All of the above

Conceptual Site Model

Public/Movement/Fluidity/Connectivity/Islands

COM_Fluid_Thoughts_into_Actions

Artists

Maria Helena Viera Da Silva (1908-1992)

The relevance of her works with Jorn Utzon's is to me a similar obsession with horizontal planes. These create an indefinite in-between space which is redundant in Utzon's sketches.

Egypte

(1948)

Biblioteca

(1949)

L'issue lumineuse

(1983-86)

Gordon Matta-Clark (1943-1978)

The geometrical cuts of Matta-Clark through buildings remind of Utzon's geometrical technique that gave birth to the final shape of the Opera House's shells.

Three Films: Fire Child, Fresh Kill, Day's End
(1971-1975)

document.write('video installation'.toLowerCase());video installation single-channel video with sound dimensions variable Collection SFMOMA Accessions Committee Fund 2001.298 © Estate of Gordon Matta-Clark / Artists Rights Society (ARS), New York. http://collections.sfmoma.org/Obj106733$18878, Accessed 14.08.08

Office Baroque

(1977)

Cibachrome prints, diptych, 20 3/16 x 39 3/4 and 19 11/16 x 39 3/4 inches.Solomon R. Guggenheim Museum, Purchased with funds contributed by the International Director's Council and Executive Committee Members: Edythe Broad, Elaine Terner Cooper, Linda Fischbach, Ronnie Heyman, J. Tomilson Hill, Dakis Joannou, Cindy Johnson, Barbara Lane, Linda Macklowe, Bri. 98.5227. © 2007 Estate of Gordon Matta-Clark/Artists Rights Society (ARS), New York.http://www.guggenheimcollection.org/site/artist_work_lg_105A_1a_b.html Accessed 14.08.08

Circus or The Caribbean Orange

(1975)

Cibachrome h: 29 x w: 58.5 in / h: 73.7 x w: 148.6 cm http://www.artnet.com/artwork/425555953/533/gordon-matta-clark-circus-or-the-caribbean-orange.html Accessed 14.08.08

Drawings

On Site

1st attempt

2nd attempt with charcoal (and Anton's technical advice)

3rd attempt with charcoal (completely on my own this time)

4th attempt

The Red Centre exhibition area using fragmentation to enhance depth

Collaborative Work with Ellen Qiu Jing

Collaborative drawing in week 3 studio

Utzon's shells emphasizing on tone and repetition

Utzon's collision
(collage of 4 drawings)

re-interpretation